![]() Tikoy Aguiluz, meanwhile, with his recent film Tragic Theater, makes parallel tales of body invasion-of both the physical and spiritual-but, for everyone who nobly endured it, ultimately fails. Post- The Exorcist, the sub-genre maintains only a shy list of films that actually carry weight: Scott Derrickson ponders on the subject in his 2005 quasi-doc The Exorcism of Emily Rose and Adam Robitel furthers the conversation on exorcism with an elderly woman diagnosed with Alzheimer’s showing signs of demonic possession ( The Taking of Deborah Logan). ![]() ![]() ![]() We snag exorcism films time and again-like toiletries from hotels.
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